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“To have met Lars when he was just a Diamond Head fan - and he never mentioned playing the drums or forming a band or anything - and watch him rise to the top and headline the biggest festivals in world is something I’ve never seen happen before or since to anyone I actually knew and could count on as a friend. To watch that band come from nothing to conquer the world and the biggest metal band of all time is an incredible thing to see. “I’ve been to see them probably at least 20 times.
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“I’m full of admiration for what Metallica have done,” Tatler explained. However, the question that remains now is, just what will the band cover? While they’ve been performing a handful of local covers on recent US tour stops, both their 1987 EP and their 1998 album included fresh covers from the great Diamond Head.īack in 2016, Diamond Head guitarist Brian Tatler opened up about Metallica’s rise to fame over the years, praising them for their iconic career. Now, look, we’re aware that this is an immensely thin premise on which to pin our hopes, but considering that Lars Ulrich has been surprisingly forward about things like this in the past, we can only assume that there will indeed be a Garage Inc. Staying true to the loose and fun vibe, the latter features guests Gary Rossington (Skynyrd), Jerry Cantrell and Sean Kinney (Alice In Chains), John Popper (Blues Traveler), Les Claypool (Primus), Jim Martin (ex-Faith No More) and Pepper Keenan (Down, Corrosion Of Conformity) sharing vocal duties.Speaking to Kerrang! recently, Metallica drummer Lars Ulrich was asked by a fan whether or not the group would make another collection of covers for their fans, only for the percussionist to simply respond “Wait and see…”
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All, however, are delivered with a strong Metallica vibe and James Hetfield’s distinct snarl. The raucous “Free Speech For The Dumb” (by UK crust punks Discharge) sets the tone, followed by “It’s Electric” from NWOBHM legends Diamond Head, to whom Metallica quite possibly owe their career for inspiring them to get started in the first place.įollowing up with an homage to the godfathers of metal, Black Sabbath, “Sabbra Cadabra,” and with the bulk of Disc One’s material representing their more familiar influences – “Die, Die My Darling” (Misfits), the titular “Mercyful Fate,” “The More I See” (Discharge again) – it’s reassuringly apparent that the band Metallica had grown into wasn’t a million miles from the teenagers who first got together in 1981.īut it’s Bob Seger’s country-rock paean to touring life, “Turn The Page,” Nick Cave’s “Loverman,” Blue Öyster Cult’s “Astronomy,” Thin Lizzy’s “Whiskey In The Jar” and Lynyrd Skynyrd’s “Tuesday’s Gone” that perhaps gives some perspective to the band’s frame of mind for Load and Reload. The result was a double-album of new covers, along with a clutch of hard-to-come-by B-sides and EP tracks, with Disc One representing the band Metallica had become, and Disc Two getting to the heart of the group. There was just a renewed interest in f_king with some other stuff.” Just shake that off a little bit and come back to something a little looser and a little kind of sillier. But we just did the two Load albums more or less back to back, so it just seemed like a good time to do some, from both a time point of view and a creative point of view. As Lars Ulrich explained to Metal Hammer, “We haven’t really f_ked with cover songs for a while. “There was an interest in f_king with some other stuff” The cover art even depicts the band members as mechanics – an everyman group, no different to anyone else. The album’s title itself is a nod to the Master Of Puppets track “Damage Inc,” while the concept harks back to The $5.98 EP: Garage Days Re-Revisited, a 1987 EP that had long been out of print. But on Garage Inc, Metallica also pay homage to their own history.